If History is to Be Creative

“America‘s future is linked to how we understand our past. For this reason, writing about history, for me, is never a neutral act. By writing, I hope to awaken a great consciousness of racial injustice, sexual bias, class inequality, and national hubris. I also want to bring into the light the unreported resistance of people against the power of the Establishment: the refusal of the indigenous to simply disappear; the rebellion of black people in the anti-slavery movement and in the more recent movement against racial segregation; the strikes carried out by working people all through American history in attempt to improve their lives.

To omit these acts of resistance is to support the official view that power only rests with those who have the guns and possess the wealth. I write in order to illustrate the creative power of people struggling for a better world. People, when organized, have enormous power, more than any government. Our history runs deep with the stories of people who stand up, speak out, dig in, organize, connect, form networks of resistance, and alter the course of history.

I don’t want to invent victories for people’s movements. But to think that history-writing must aim simply to recapitulate the failures that dominate the past is to make historians collaborators in an endless cycle of defeat. If history is to be creative, to anticipate a possible future without denying the past, it should, I believe, emphasize new possibilities by disclosing those hidden episodes of the past when, even if in brief flashes, people showed their ability to resist, to join together, and occasionally to win. I am supposing, or perhaps only hoping, that our future may be found in the past’s fugitive moments of compassion rather than in its solid centuries of warfare.”

– Howard Zinn, A Power Governments Cannot Suppress